In the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is effortlessly straight-backed, his arms defined beneath a plain tee. On stage, dancers can appear like powerful deities, yet frequently offstage they are small. Not so Ball, whose height is part of his demand for heroic roles and pas de deux work. Possessing fine traits and intense eyes, there's a touch of Robert Pattinson about him.
An Apparent Rise to the Pinnacle
Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered little ridicule for his early passion in ballet. Entering the esteemed training institution at 11, he moved directly into the troupe and was advanced annually, reaching the top rank of principal in 2018. He has loved tackling meaty characters, particularly the psychological turmoil found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
Ball's upcoming featured appearance is as himself, in an "Evening With" series designed to offer intimate insights into a performer's craft. He will guide the crowd through a role, showing his cognitive process during performance. Even in more comedic works, the challenge is profound. "A classic ballet is one of the most demanding from a skill perspective," he states.
The Psychological Struggle and After the Show Emotions
What about after a show, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get lost in the character, quite often I do feel embarrassed afterwards. After an intense role I'm always thinking: Wow, what must people think?"
Offstage, Ball is thoughtful, mild-mannered, and prone to laugh at himself. But a choreographer once observed on a "sense of suffering in him." Is there? "I'm quite energetic usually, but I do have a dark side," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."
Early Motivations and Creative Inspirations
Ball's determination originated in youthful setbacks. Not doing well in contests at school made him "driven!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.
The next challenge is creating his own dance works. For Ball, "organic movement has value." "Challenging the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from books, compositions, and art.
Close-Up Performance and Private Dynamic
He also is interested in staging dance in more intimate spaces. "It was just really thrilling," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t usually matched on stage at their main theater, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite supporter."
Regarding Instagram and Bodily Image
On social media, fans can see clips from his dance films and photos that showcase a sculpted physique. Does he care that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on various ways.
Ball characterizes his early self as "desperate for success." Has it lived up to his hopes? "I am conscious of how life is a different reality to the aspirations you had as a young person," he muses. He probably has another ten years of dancing ahead. "I guess in the time to come, I want to be a bit more gentle with myself."